| 2007 |
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Kara Walker: My Complement, My Enemy, My Oppressor, My Love, The Walker Art Center, Minneapolis, MN, February 18 - May 13, 2007; Whitney Museum of American Art, New York, NY, November 11, 2007 - February 3, 2008; Hammer Museum, February 17 - May 11, 2008. |
| 2007 |
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Kara Walker: Harper's Pictorial History of the Civil War (Annotated), Addison Gallery of American Art, Andover, MA, January 26 - March 18, 2007. |
| 2006 - 2007 |
|
Meditations in an Emergency, Museum of Contemporary Art, Detroit, MI, October 28, 2006 - April 29, 2007. |
| 2006 - 2007 |
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Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany, November 26, 2006 - January 28, 2007. |
| 2006 - 2007 |
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Legacies: Contemporary Artists Reflect on Slavery, The New York Historical Society, NY, NY, June 16, 2006- January 7, 2007. |
| 2006 - 2007 |
|
The Bong Show or This Is Not a Pipe, curated by Beverly Semmes, Leslie Tonkonow Artworks + Projects, New York, NY, December 9 2006- January 20-2007 |
| 2006 - 2007 |
|
Once upon a Time: The Contemporary Fable, Arcos, Museo d'arte Contemporanea, Sannio Campania, October 15, 2006- February 28, 2007 (group) |
| 2006 |
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All the Best: The Deutsche Bank Collection and Zaha Hadid, The Singapore Art Museum, September 1 - November 20, 2006 |
| 2006 |
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Brighton Photo Biennial: Voodoo Macbeth, De La Warr Pavilion, Bexhill on Sea, England, October 7, 2006 - January 7, 2007. |
| 2006 |
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Sikkema Jenkins & Co. New York, NY, March 4 - April 1, 2006. |
| 2006 |
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Kara Walker at the Met: After the Deluge, The Metropolitan Museum of Art, New York, NY, March 21 - August 6, 2006. |
| 2006 |
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New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography, and Video, Grimaldi Forum Monaco, Monte Carlo, July 14 - September 10. |
| 2006 |
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Black Alphabet: Contexts of Contemporary African American Art, Zacheta National Gallery of Art, Warsaw, Poland, September 23 - November 19. |
| 2006 |
|
Fables, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA. September 9- December 17 |
| 2006 |
|
Liquid Paper, Ratio 3, San Francisco, CA, June 30- August 6 |
| 2006 |
|
Surprise! Surprise! ICA Institute of Contemporary Arts, The Mall, London, U.K. August 2- September 10, 2006 |
| 2006 |
|
Into Me/Out of Me, PS1 Contemporary Arts Center, MOMA Affiliate, Long Island City, New York |
| 2006 |
|
Rethinking Nordic Colonialism, A Postcolonial Exhibition Project in Five Acts, Act 1: Reykjavik, Iceland, March 24 - April 16, 2006, Act 2: Nuuk, Greenland, April 21 - May 14, 2006, Act 3: Tórshavn, The Faroe Islands, May 12 - June 4, 2006, Act 4: Rovaniemi, Sápmi/Finland, June 16 - July 9, 2006, Act 5: DVD Box Set Launch in Copenhagen, Helsinki, Oslo & Stockholm, November 25, 2006, Curated by Kuratorisk Aktion (Frederikke Hansen & Tone Olaf Nielsen) for NIFCA, Nordic Institute for Contemporary Art |
| 2006 |
|
Down By Law, a Wrong Gallery project for the 2006 Whitney Biennial: Day for Night, at the Whitney Museum of American Art, New York, January 21- May 21, 2006 |
| 2006 |
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Dark, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands, curated by Jan Grosfeld and Rein Wolfs, February 18- April 17 |
| 2006 |
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Blind Date: New Acquisitions of the Deutsche Bank Collection, Prelate's residence of the former Benedictine Monastary and Galerie Kunstforum, Altes Haus. Seligenstadt, Germany, May 14- July 2 |
| 2006 |
|
Skowhegan 60 Years: School of Painting and Sculpture, Colby College Museum of Art, Waterville, ME, July 22- October 29 |
| 2005 |
|
Song of the South, REDCAT, Los Angeles, CA |
| 2005 |
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Museo de Arte Carrillo Gil, Ciudad de Mexico, Mexico |
| 2005 |
|
Kara Walker, Testimony Brent Sikkema, New York (solo) |
| 2005 |
|
The World is a Stage Mori Art Museum, Tokyo (group) |
| 2004 - 2005 |
|
Site Santa Fe's Fifth International Biennial Curated by Robert Storr, Santa Fe (group) |
| 2004 - 2005 |
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Monument to Now, The Dakis Joannou Collection The DESTE Foundation for Contemporary Art, Athens (group) |
| 2004 |
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Dana Schutz, Amy Sillman, Kara Walker Brent Sikkema, New York (group) |
| 2004 |
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Provocations: Selections from the Permanent Collection The Bronx Museum of Art, New York (group) |
| 2004 |
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Nous Venons en Paix... Musée d'Art Contemporain de Montreal, Montreal (group) |
| 2004 |
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Grub for Sharks: A Concession to the Negro Populace, Tate Liverpool, Liverpool, U.K. |
| 2003 |
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Centro Nazionale per le Arti Contemporanee, Rome, Italy |
| 2003 |
|
Art Gallery at Skidmore College, Saratoga Springs, NY (traveled to Williams College Art Museum, Williamstown MA) |
| 2003 |
|
Narratives of a Negress: Kara Walker Tang teaching Museum at Skidmore College, Williamstown (solo) |
| 2003 |
|
Kara Walker, drawings Brent Sikkema, New York (solo) |
| 2002 - 2003 |
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Moving Pictures, Solomon R. Guggenheim Museum, New York, USA (group) |
| 2002 |
|
Tempo, MoMAQNS, New York, USA (group) |
| 2002 |
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Telling Tales: Narrative Impulses in Recent Art, Tate Liverpool, England (group) |
| 2002 |
|
Nat Turner's Revelation (an Important Lesson from our Negro Past You will Likley Forget to Remember), Galerie Max Hetzler, Berlin, Germany (solo) |
| 2002 |
|
An Abbreviated Emancipation The University of Michigan Museum of Art, Michigan, USA (solo) |
| 2002 |
|
Slavery!, Slavery!, 25th International Bienal of Sao Paolo, Brazil (solo) |
| 2002 |
|
Kara Walker, Mannheimer Kunstverein, Mannheim, Germany; Museum Weserburg, Bremen, Germany; Deutsche Guggenheim, Berlin, Germany; Museumquartier, Vienna, Austria; Museum voor Moderne Kunst, Arnheim, The Netherlands;(solo) |
| 2002 |
|
For the Benefit of All the Races of Mankind (Mos' Specially the Master One, Boss), An Exhibition of Artifacts, Remnants and Effluvia EXCAVATED from the Black Heart of a Negress, Hannover Kunstverein, Hannover, Germany (solo) |
| 2002 |
|
Moving Pictures, Solomon R. Guggenheim Museum, New York, USA (solo) |
| 2001 |
|
American Primitive, Brent Sikkema Gallery, New York, USA (solo) |
| 2001 |
|
Disturbing Allegories, Vanderbilt University Fine Arts Gallery, Nashville, USA (solo) |
| 2001 |
|
The Emancipation Approximation, The Tel Aviv Museum of Art, Tel Aviv, Israel (solo) |
| 2001 |
|
Form Follows Fiction, Castello di Rivoli Museo d'Arte Contemporanea, Rivoli, Italy (group) |
| 2001 |
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Six Contemporary Artists, The Clifford Gallery, Colgate University, Hamilton, USA (group) |
| 2001 |
|
The Americans, Barbican Art Galleries, Barbican Centre, London, England (group) |
| 2001 |
|
New to the Modern: Recent Acquisitions from the Department of Drawings, Museum of Modern Art, New York, USA (group) |
| 2001 |
|
The Print World, Ljubljana Biennial 2001, Ljubljana, Slovenia (group) |
| 2001 |
|
W, Musée des Beaux - Arts, Cole, France (group) |
| 2001 |
|
Parkett Collaborations & Editions Since 1984, Museum of Modern Art, New York, USA (group) |
| 2001 |
|
New Settlements, Nikolaj Udstillingsbygning, Copenhagen, Denmark (group) |
| 2001 |
|
Secret Victorians, The Fabric Workshop and Museum, Philadelphia, USA (group) |
| 2001 |
|
Locating Drawing, Lawing Gallery, Houston, USA (group) |
| 2001 |
|
SchattenRisse, Silhouetten und Cutouts, Kunstbau Lenbachhaus, Munich, Germany (group) |
| 2001 |
|
Ornament and Abstraction, The Foundation Beyler, Basel, Switzerland (group) |
| 2001 |
|
Waterworks, Nordiska Akvarellmuseet, Skärhamn, Sweden (group) |
| 2000 |
|
Blurry Lines, John Michael Kholer Arts Center, Sherboyan, USA (group) |
| 2000 |
|
Das Gedäschtnis der Kunst: History and Memory in Contemporary Art, Historic Museum of Frankfurt, Frankfurt, Germany (group) |
| 2000 |
|
The Power of Narration, Espai d'Art Contemporani de Castello, Spain (group) |
| 2000 |
|
Point of Reference, Frederick Hayes, Glenn Ligon, Gary Simmons, Kara Walker, Addison Gallery of American Art, Andover, USA (group) |
| 2000 |
|
Drawing on the Figure: Works on Paper of the 1990s from the Manilow Collection, Museum of Contemporary Art, Chicago, USA (group) |
| 2000 |
|
Strength and Diversity: A Celebration of African-American Artists, Carpenter Center for the Visual Arts, Harvard University, Cambridge, USA (group) |
| 2000 |
|
Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, USA (group) |
| 2000 |
|
This is Not the Place, Ramapo College of New Jersey, Mahwah, USA (group) |
| 2000 |
|
00, Barbara Gladstone Gallery, New York, USA (group) |
| 2000 |
|
Kara Walker, Des Moines Art Center, Des Moines, USA (solo) |
Literatura: Libros y Catálogos |
 |
 |
| 2002 |
|
Kara Walker
Kunstverein Hannover, Germany |
| 2002 |
|
Tempo
MoMAQNS, New York |
| 2002 |
|
Kara Walker, Slavery! Slavery!
International Arts and Artists, Washington DC. (Catalog for the 25th International Bienal of Sao Pãolo.) |
| 2002 |
|
Kara Walker
Deutsche Bank AG, Frankfurt am Main, Germany. |
| 2001 |
|
the americans. new art
Barbicon Gallery, Barbicon Centre, Publ. Booth-Clibborn Editions, London |
| 2000 |
|
Drawing on the Figure: Works on Paper of the 1990s from the Manilow Collection
Museum of Contemporary Art, Chicago |
| 2000 |
|
Kara Walker: Fantasies of Disbelief
exhibition brochure, Des Moines Art Center, Des Moines, USA |
| 2000 |
|
This is Not the Place
(exhibition catalogue), Ramapo College of New Jersey, Mahwah, USA |
| 1999 |
|
Re/Righting History; Counternarratives by Contemporary African-American Artists
(exhibition catalogue): Katonah Museum of Art, Katonah, USA |
| 1999 |
|
An Interview with Kara Walker
Capp Street Project: Kara Walker (exhibition catalogue), CCAC, Oakland, USA |
| 1999 |
|
Kara Walker and Michael Ray Charles," in Looking Forward, Looking Black
(exhibition catalogue): ed. Jo Anna Isaak, Hobart and William Smith Colleges Press, Geneva, New York, USA |
| 1998 |
|
Secret Victorians, Contemporary Artists and a 19th-Century Vision
Exhibition catalogue. Traveling exhibition organized by the Hayward Gallery, London, England |
| 1998 |
|
Strange Days
Exhibition catalogue, The Art Gallery of New South Wales, Sydney, Australia |
| 1997 |
|
Kara Walker, Upon My Many Masters - An Outline
Exhibition catalog. San Francisco Museum of Modern Art, USA |
| 1997 |
|
1997 Biennial
Exhibition catalog, Whitney Museum of American Art, USA |
| 1997 |
|
Kara Walker
Exhibition catalogue. Design and text by the artist. The Renaissance Society |
| 1997 |
|
Walker, Hamsa. 'Cut It Out', Renaissance Society exhibition catalogue |
| 1997 |
|
Armstrong, Elizabeth. '(No Place) Like Home' Walker Art Center exhibition catalogue |
| 1997 |
|
Hannaham, James. 'The Shadow Knows...' New Histories exhibition catalogue, ICA, Boston, MA |
| 1997 |
|
Szabo, Julie. 'Kara Walker's Shock Art' New York Times Magazine March 23 |
| 1996 |
|
Golden, Telma. text for 'Oral Mores: A Post bellum Shadow Play' ArtForum September |
| 1996 |
|
La Belle et la Bete: Un Choix de Juenes Artists Americainsm
exhibition catalog |
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